Daniel Danger and I both grew up in rural New England. While I'm busy die cutting your save-the-dates, he's busy selling out of his intricate screen prints in a blink of an eye. Ever since I met Daniel while both attending RIT in Rochester, NY, I was a fan of everything I would see of his. This is still true, and I find myself with an even deeper appreciation of his labors as I'm in the print-world as well now. Thematically, Daniel's prints often capture the New England countryside, towns, woods, and mills in an atmospheric way that feels like a distant memory, and definitely plays a nostalgic role in my mind's eye.
I leave you with a few of my favorite prints of his as of late:
“september”
23×30″ fifteen color screenprint, edition of 100
2008
“i was born in a house of wyeth”
20×25″ five color silkscreen, edition of 125
16×20″ one color intaglio, edition of 10
2009
“lock and key or latchkey, a house you tricked empty”
20×30″ five color silkscreen
2009
And, as we do love our whales and prints here at Two Paperdolls, what's one more?
“so how can we hope to float?”
six color screenprint, edition of 180
edition of 20 on blue
2008
To see more of Daniel Danger's prints, visit http://tinymediaempire.com.